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Viola sororia ( / vaɪˈoʊlə səˈrɔːriə / vy-OH-lə sə-ROR-ee-ə ), [ 5] known commonly as the common blue violet, is a short-stemmed herbaceous perennial plant native to eastern North America. It is known by a number of common names, including common meadow violet, purple violet, woolly blue violet, hooded violet, and wood violet.
Gay Purr-ee is a 1962 American animated musical film produced by United Productions of America and released by Warner Bros. It features the voice of Judy Garland as Mewsette, a feline living in the French countryside wanting to go to Paris in her only animated-film role, as well as Robert Goulet in his first feature film as her love interest Jaune Tom.
The White Eagle (Polish: Orzeł Biały) is the national coat of arms of Poland. It is a stylized white eagle with a golden beak and talons, and wearing a golden crown, in a red shield. [5] [6] National anthem: Jan Dąbrowski's Mazurka (Polish: Mazurek Dąbrowskiego) is the national anthem of Poland.
Horse is a symbol of loyalty, devotion, freedom. Cuckoo in Ukrainian songs is a symbol of a mother mourning her children. Crane is a symbol of sorrow for a native land. Swallow is a symbol of well-being, happiness, marriage consent, spring and nature rebirth. It is also a symbol of motherhood.
Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal. The horse has been associated with numerous roles and magical gifts throughout the ...
Bhutan (with distinct yellow and orange) Hanover (1837–1866) Hindu flag (with distinct orange) Jacksonville, Florida, United States (with a distinct gold and orange and a brown emblem) Jerusalem cross – flag used by several Crusader states. Kędzierzyn-Koźle, Poland (with multicolored coat of arms)
The blue color of the horse represents peace and the calm state of mind that Marc would have had when drawing it. Blue horses are symbolically bound to certain of the originating conceptions of the contemporaneous Blue Rider group: in the symbol of the horse as a vehicle of breakthrough, in the emphasis on the spirituality of the color blue ...
Horses in art. George Stubbs, Whistlejacket, c. 1762, National Gallery, London. Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war.