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The rapid drying of acrylic paint tends to discourage blending of color and use of wet-in-wet technique as in oil painting. Even though acrylic retarders can slow drying time to several hours, it remains a relatively fast-drying medium and adding too much acrylic retarder can prevent the paint from ever drying properly.
Perhaps the reason Louis's Tet was so successful was because of the variation in pigment which allowed the colors to mix as well as stand out. Louis used this quality in his works in order to create an “articulation” amongst the colors as well as an overall atmospheric effect. [7] The colors are the subject matter in his works.
Morris Louis Bernstein (November 28, 1912 – September 7, 1962), known professionally as Morris Louis, was an American painter.During the 1950s he became one of the earliest exponents of Color Field painting.
This painting was made by combining poured acrylic paint with impasto painting. Pour painting is an innovative way to use acrylic paints to create an art piece. Instead of using tools like brushes or knives to create a piece of art, fluid paints can be poured directly onto the surface and the canvas tilted to move the paint around.
Historically, portrait paintings have primarily memorialized the rich and powerful. Over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are still commissioned by governments, corporations, groups, clubs, and individuals.
Because it cannot be applied in thick layers as oil paints can, tempera paintings rarely have the deep color saturation that oil paintings can achieve because it can hold less pigment (lower pigment load). In this respect, the colors of an unvarnished tempera painting resemble a pastel, although the color deepens if a varnish is applied.
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