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The music video for "Congo", directed by Howard Greenhalgh, features industrialised imagery, with the band playing in a heavily guarded shipyard manned with slave labour. Massive water cannons are used to control uprisings, and the band is frequently doused with water throughout the video. The video was shot at the Mediterranean Film Studios in ...
Foxtrot is the fourth studio album by the English progressive rock band Genesis, released on 15 September 1972 on Charisma Records. [1] It features their longest recorded song, the 23-minute track "Supper's Ready".
"Tell Me Why" is a song by English rock band Genesis. It first appeared as the seventh track on their 14th studio album, We Can't Dance (1991), and was issued as a single in Europe in 1992 and in the United Kingdom on 8 February 1993 by Virgin Records.
"Supper's Ready" is a song by English progressive rock band Genesis, recorded for their 1972 studio album Foxtrot. At 23 minutes in length, it is the band's longest recorded song. [a] A common misconception is that it occupies an entire side of Foxtrot; in actuality, the guitar piece which opens the side is a separate work titled "Horizons". [5]
"Illegal Alien" is a song by the English rock band Genesis. It was written by members Tony Banks, Phil Collins, and Mike Rutherford, produced by all three alongside Hugh Padgham, and released as the third single from their eponymous 1983 studio album in January 1984.
In 2019, Andy Greene of Rolling Stone remarked, "You don't hear the 1986 Genesis song 'Tonight Tonight Tonight' very often these days, but back then it was absolutely inescapable. This was a weird period of time where seemingly half the songs on the radio were either by Genesis or one of the many offshoot acts like Phil Collins, Peter Gabriel ...
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It was produced by Genesis and distributed in the United States by Atlantic Records and Warner Music Group. [2] The song, mainly written by Mike Rutherford with Tony Banks and Phil Collins with lyrics by Rutherford, was featured on Genesis' album of the same name and was a top 10 hit on the British pop chart, where it peaked at No. 9. [3]