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Still Life is a short play in five scenes by Noël Coward, one of ten plays that make up Tonight at 8.30, a cycle written to be performed across three evenings. [ n 1 ] One-act plays were unfashionable in the 1920s and 30s, but Coward was fond of the genre and conceived the idea of a set of short pieces to be played across several evenings.
Coward, still having trouble finding producers, raised the money to produce the play himself. During the run of The Vortex, Coward met Jack Wilson, an American stockbroker (later a director and producer), who became his business manager and lover. At first Wilson managed Coward's business affairs well, but later abused his position to embezzle ...
Coward adapted Still Life for the screen as Brief Encounter in 1945. [37] The film was remade in 1974 starring Richard Burton and Sophia Loren. [37] For a 1952 film, Meet Me Tonight (called Tonight at 8:30 in the US), directed by Anthony Pelissier, Coward adapted Ways and Means, Red Peppers and Fumed Oak. [38]
Coward wrote more than three hundred songs. The Noël Coward Society's website, drawing on performing statistics from the publishers and the Performing Rights Society, names "Mad About the Boy" (from Words and Music) as Coward's most popular song, followed, in order, by: "
Coward and Lawrence at the end of Ways and Means. Ways and Means is a short comic play by Noël Coward, one of ten that make up Tonight at 8.30, a cycle written to be performed across three evenings. The story concerns an heiress and her gambling husband, who are plagued by debt and embarrassment as everything seems to always go wrong for them.
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This article lists songs and whole discographies which have been banned by the BBC (British Broadcasting Corporation) over the years. During its history, the corporation has banned songs from a number of high-profile artists, including Cliff Richard, Frank Sinatra, Noël Coward, the Beatles, Ken Dodd, Elvis Presley, Bing Crosby, the BBC Dance Orchestra, Tom Lehrer, Glenn Miller, and George Formby.
The group that would become the Round Table began meeting in June 1919 as the result of a practical joke carried out by theatrical press agent John Peter Toohey.Toohey, annoyed at The New York Times drama critic Alexander Woollcott for refusing to plug one of Toohey's clients (Eugene O'Neill) in his column, organized a luncheon supposedly to welcome Woollcott back from World War I, where he ...
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