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Giallo antico, also known as Numidian marble (marmor numidicum in Latin), was a yellow marble quarried in Roman times from the area of Chemtou, ancient Simmithu Asia [ edit ]
The Bird with the Crystal Plumage (Dario Argento, 1970; Italian: L'uccello dalle piume di cristallo) a.k.a. Phantom of Terror, a.k.a. The Gallery Murders; Hatchet for the Honeymoon (Mario Bava, 1970; Italian: Il rosso segno della follia / The Red Mark of Madness) a.k.a. Blood Brides
In the film context, for Italian audiences giallo refers to any kind of murder mystery or horror thriller, regardless of its national origin. [8]Meanwhile, English-speaking audiences have used the term giallo to refer specifically to a genre of Italian-produced thriller-horror films known to Italian audiences as giallo all'italiana.
Giallo antico (antique yellow) is a precious yellow marble used first by the ancient Africans and later by the ancient Romans (which they called marmor numidicum (marble of Numidia) [1] It was one of the marbles most favoured by the Romans because of its beautiful yellow colour.
The Girl Who Knew Too Much (Italian: La ragazza che sapeva troppo) is a 1963 Italian giallo film directed by Mario Bava, starring John Saxon as Dr. Marcello Bassi and Letícia Román as Nora Davis. The plot revolves around a young American woman named Nora, who travels to Rome and witnesses a murder.
The House of the Yellow Carpet was released in 1983. [2] [3] It was released by Lightning video in the United States as The House of the Yellow Carpet.[1]Adrian Luther Smith, wrote in his book Blood & Black Lace that viewers "willing to accept a dose of strong black humor with your giallo, then you'll be able to stomach the eccentricities on offer here."
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