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known for his paintings of monkeys Yin Zhaohui: 1977-ambiguous scenes of the human form Yuan Jiang: Yüan Chiang: 袁江: 袁江: Qing dynasty: Yuan Yao: Yüan Yao: 袁耀: 袁耀: Qing dynasty: Yun Bing: Yün Ping: 惲冰: 恽冰: 17th century: courtesy names Qingyu and Haoru Yun Shouping: Yün Shou-p'ing: 惲壽平: 恽寿平: 1633–1690 ...
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
Wang Hui (simplified Chinese: 王翚; traditional Chinese: 王翬; pinyin: Wáng Huī; 1632–1717) was a Chinese landscape painter, one of the Four Wangs. He, and the three other Wangs, dominated orthodox art in China throughout the late Ming and early Qing periods. Of the Four Wangs, Wang Hui is considered the best-known today.
Chinese people from Song dynasty called paintings, maps and other pictorial images as tu, so it's impossible to distinguish the types of each painting by name. Artists who paint landscape as an artwork focus mainly on the natural beauty rather on the accuracy and realistic representation of the object.
Under efforts of masters from this school, traditional Chinese art reached another climax and continued to the present in forms of Chinese painting (中國畫), or guohua (國畫) for short. The Shanghai School challenged and broke the literati tradition of Chinese art, while also paying technical homage to the ancient masters and improving on ...
The most famous art depiction of the Eight Immortals from this period is a mural of them in the Eternal Joy Temple (Yongle Gong) at Ruicheng. The Eight Immortals are considered to be signs of prosperity and longevity, so they are popular themes in ancient and medieval art. They were frequent adornments on celadon vases. They were also common in ...
Countries along the Silk Road enriched the Tang dynasty with arts and ideas that could be incorporated into ceramic paintings. On the one hand, it imbibed Persian and Central Asian artistic elements, and on the other, it used those elements in its ceramic paintings to spread Chinese arts and painting styles to different parts of the world. [14]
The Japanese people also like Zhou Fang's style of painting of beautiful women, which shows that Zhou Fang's painting art has a profound influence in the Eastern painting world. [9] Zhou Fang's works were very popular among Koreans during the Tang dynasty. Even today, it can still be seen that Japan retains ancient paintings of beautiful women ...