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In ancient Roman myth and literature, Mors is the personification of death equivalent to the Greek Thanatos. [citation needed] The Latin noun for "death," mors, genitive mortis, is of feminine gender, but surviving ancient Roman art is not known to depict death as a woman. [1] Latin poets, however, are bound by the grammatical gender of the ...
Clotho (/ ˈ k l oʊ θ oʊ /; Greek: Κλωθώ) or Klotho, is a mythological figure. She is the youngest goddess of the Three Fates or Moirai. In ancient Greek mythology, she spins the thread of human life, her sisters draw out and cut the thread. Her Roman equivalent is Nona. She also made major decisions, such as when a person was born ...
Livor mortis (from Latin līvor 'bluish color, bruise' and mortis 'of death'), postmortem lividity (from Latin post mortem 'after death' and lividitas 'black and blueness'), hypostasis (from Greek ὑπό (hypo) 'under, beneath' and στάσις (stasis) 'a standing') [1] [2] or suggillation, is the second stage of death and one of the signs of ...
Atropos (/ ˈ æ t r ə p ɒ s /, Greek Ἄτροπος, , "inexorable" or "inevitable", literally "unturning", [37] was the cutter of the thread of life. She chose the manner of each person's death; and when their time has come, she cut their life-thread with her "abhorred shears". [38] Her Roman equivalent was Morta ("the dead one").
Atropos (/ ˈ æ t r ə p ɒ s,-p ə s /; [1] [2] Ancient Greek: Ἄτροπος "without turn"), in Greek mythology, was the third of the Three Fates or Moirai, goddesses of fate and destiny. Her Roman equivalent was Morta. Atropos was the eldest of the Three Fates and was known as "the Inflexible One."
In Greek mythology, Moros /ˈmɔːrɒs/ or Morus /ˈmɔːrəs/ (Ancient Greek: Μόρος means 'doom, fate' [1]) is the personified spirit of impending doom, [2] who drives mortals to their deadly fate. It was also said that Moros gave people the ability to foresee their death. His Roman equivalent was Fatum.
Eros is “the most common depiction of love in Greek,” says Beaulieu. It refers to passionate, romantic, sexual love between any two individuals, Cohen adds.
In Greek mythology, the underworld or Hades (Ancient Greek: ᾍδης, romanized: Háidēs) is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence ( psyche ) is separated from the corpse and ...