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Īxpoztequeh, god who lived in one of nine layers of the underworld. Iixpuzteque was Nexoxochi's husband. Tzontēmōc, god who lived in one of nine layers of the underworld. Tzontemoc was Chalmeccacihuatl's husband. Xolotl, god of death who is associated with Venus and the Evening Star. He is the twin god and a double of Quetzalcoatl.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. [1] The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures.
Mictlantecuhtli (left), god of death, and Quetzalcoatl, god of life; together they symbolize life and death.. The Aztec religion is a polytheistic and monistic pantheism in which the Nahua concept of teotl was construed as the supreme god Ometeotl, as well as a diverse pantheon of lesser gods and manifestations of nature. [1]
Abode of the gods. Ruled by the Four Creator Lords or Tezcatlipocas. Eminently divine place where the deities remain and project themselves to be in other places. Where the gods take on faces, and where they put on masks to become others while still being themselves. Where they are born, reborn and feed in their quality of eternal and mutating ...
Quetzalcoatl was also related to gods of the wind, of Venus, of the dawn, of merchants and of arts, crafts and knowledge. He was also the patron god of the Aztec priesthood, of learning and knowledge, patron of priests, the inventor of the calendar and of books, and the protector of goldsmiths and other craftsmen.
Tlaltecuhtli (Classical Nahuatl Tlāltēuctli, Nahuatl pronunciation: [t͡ɬaːl.teːkʷ.t͡ɬi]) is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. [ 5 ]
The frontispiece of the Codex Fejéváry-Mayer, one of the more well-known images from Aztec codices, features a god circumscribed in the 20 trecena, or day symbols, of the Tōnalpōhualli. The exact identity of this god is unclear, but is most likely either Tezcatlipoca or Xiuhtecutli .
The Aztecs believed that the essence of a deity could be captured by a human impersonator, or ixiptla, of the god. Primeros Memoriales therefore illustrates and describes the likeness of Huixtocihuatl, who would have embodied the salt god. Sahagun's description closely follows its associated illustration, saying, "Her facial paint is yellow./