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Sheet of images from one of the three Monkeyshines films (c. 1889–90) produced as tests of an early version of the Kinetoscope. An encounter with the work and ideas of photographic pioneer Eadweard Muybridge appears to have spurred Thomas Edison to pursue the development of a motion picture system.
Motion pictures soon became starring attractions on the vaudeville bill. Exhibitors could exhibit films from the Edison inventory. [citation needed] The Edison Company developed its own projector known as the Projectoscope or Projecting Kinetoscope in November 1896, and abandoned marketing the Vitascope. [citation needed]
The mechanics of primordial motion picture cameras and exhibition are explained, [4] with eponymous emphasis given to the kinetograph, the kinetoscope, and the kinetophonograph. Dickson worked with Edison on the development of these devices, which respectively capture pictures on film, play films back, and combine picture with sound. [5]
Thomas Alva Edison (February 11, 1847 – October 18, 1931) was an American inventor and businessman. [1] [2] [3] He developed many devices in fields such as electric power generation, mass communication, sound recording, and motion pictures. [4]
January 1896 – In the United States, a projector called the Vitascope is designed by Charles Francis Jenkins and Thomas Armat. Armat begins to work with Edison to manufacture the Vitascope, which projects motion pictures. April 1896 – Edison and Armat's Vitascope is used to project motion pictures in public screenings in New York City.
Thomas J. Armat (October 25, 1866 – September 30, 1948) was an American mechanic and inventor, a pioneer of cinema best known through the co-invention of the Edison Vita Armat studied at the Mechanics Institute in Richmond, Virginia and then in 1894 at the Bliss Electrical School in Washington, D.C. , where he met Charles Francis Jenkins .
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Thomas Edison with the licensees of the Motion Picture Patents Company (December 19, 1908). The Motion Picture Patents Company (MPPC, also known as the Edison Trust), founded in December 1908 and effectively terminated in 1915 after it lost a federal antitrust suit, was a trust of all the major US film companies and local foreign-branches (Edison, Biograph, Vitagraph, Essanay, Selig Polyscope ...
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