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Fantasia is a 1940 American animated musical anthology film produced by Walt Disney Productions, with story direction by Joe Grant and Dick Huemer and production supervision by Walt Disney and Ben Sharpsteen.
A fantasia (Italian: [fantaˈziːa]; also English: fantasy, fancy, fantazy, phantasy, German: Fantasie, Phantasie, French: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form.
Anna Robena Laidlaw. Robert Schumann's Fantasiestücke, Op. 12, is a set of eight pieces for piano, written in 1837.The title was inspired by the 1814–15 collection of novellas, essays, treatises, letters, and writings about music, Fantasiestücke in Callots Manier (which also included the complete Kreisleriana, another source of inspiration for Schumann) by one of his favourite authors, E ...
The first piece is in A minor and begins dreamily with hints of melancholy, but concludes with a resolution and hope in A major, looking forward to the next movement.. The second piece is in A major and is playful, upbeat, energetic and positive, with a central section modulating to F major with chromatic triplets in dialogue with the piano.
Cover of 2nd piano arr. (S.529ii) first edition, published in 1855. Fantasie und Fuge über das Thema B-A-C-H (also in the first version known as Präludium und Fuge über das Motiv B-A-C-H), title in English: Fantasy and Fugue on the Theme B-A-C-H) (S.260i/ii [1st/2nd version], S.529i/ii [piano arrangement of 1st/2nd version]) is an organ fantasy on the BACH motif composed by Franz Liszt in ...
The Piano Sonata in G major D. 894, Op. 78 by Franz Schubert is a sonata for solo piano, completed in October 1826. [1] The work is sometimes called the "Fantasie", a title which the publisher Tobias Haslinger, rather than Schubert, gave to the first movement of the work. [2]
The combined length of the fantasia and the fugue is about eight minutes; [6] the fantasia is written in 6/4 time, while the fugue is in 2/2. The fantasia of the piece is quite lush and very ornate, consisting of two unequal halves that both feature the same two basic musical ideas, an imitative dotted-rhythm tune, and a leaping eighth-note form, which is also in imitation, initiated by the ...
Liszt in 1843, around the time of the piece's conception. The Fantasy on Themes from Mozart's Figaro and Don Giovanni [1] (German: Fantasie über Themen aus Mozarts Figaro und Don Giovanni), [2] S.697, is an operatic paraphrase for solo piano by Franz Liszt, based on themes from two different Mozart's operas: The Marriage of Figaro, K.492 and Don Giovanni, K.527.
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