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In the mid-1980s, No. 3001 was later donated to the National New York Central Railroad Museum in Elkhart, Indiana. It is the largest modern NYC steam locomotive still in existence and is one of two surviving New York Central Mohawks; the other, No. 2933 , which is currently on display at the National Museum of Transportation in St. Louis ...
These files include resumes, correspondence, reproductions, articles, and other ephemeral materials. The Arts and Entertainment Network Media Library holds approximately 500 videos, DVDs, audio tapes, and other audiovisual materials, including examples of video art, interviews with women artists, documentaries, and films directed by women.
New York Central 3001 (Alco #69338 of 1940): The largest surviving example of the NYC's modern steam power technology; only surviving L-3a class Mohawk; one of two surviving NYC 4-8-2 engines; one of the fastest locomotives of its time; primarily designed for mountain grades, it hauled passengers at speeds up to 80 mph (130 km/h) along the NYC's "Water Level Route" in the state of New York.
Dara Birnbaum (born 1946 [1]) is an American video and installation artist. [2] Birnbaum entered the nascent field of video art in the mid-to-late 1970s challenging the gendered biases of the period and television’s ever-growing presence within the American household.
The Center also vigorously promoted new and transdisciplinary media as exhibitor, producer, and educational institution. [1] [40] The annual Women's Video Festival relocated to the Center from 1975 through 1980, launching a catalogue and traveling show. [41] In 1978, Susan Milano produced a major video installation exhibit, Back Seat.
New York Central 1290 and 1291; New York Central 2933; New York Central 3001; New York Central and Hudson River Railroad No. 999; New York Central Hudson; New York Central MU Cars; New York Central Niagara; New York Central P Motor; New York Central R-Motor; New York Central S-Motor; New York Central T-Motor; New York Central Mohawk
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In 1898, he moved back to New York and began his career as a newspaper and magazine illustrator, [2] working for the San Francisco Call and the San Francisco Examiner, drawing sketches and decorative work. [1] He became known particularly for his drawings of women, which won him acclaim as the successor of Charles Dana Gibson.