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A Bitcrusher is an audio effect that produces distortion by reducing the resolution or bandwidth of digital audio data. The resulting quantization noise may produce a "warmer" sound impression, or a harsh one, depending on the amount of reduction.
A compression artifact (or artefact) is a noticeable distortion of media (including images, audio, and video) caused by the application of lossy compression. Lossy data compression involves discarding some of the media's data so that it becomes small enough to be stored within the desired disk space or transmitted ( streamed ) within the ...
LDAC is an alternative to Bluetooth SIG's SBC codec. Its main competitors are Huawei's L2HC, Qualcomm's aptX-HD/aptX Adaptive and the HWA Union/Savitech's LHDC. [1]LDAC utilizes a type of lossy compression [2] [3] by employing a hybrid coding scheme based on the modified discrete cosine transform [4] and Huffman coding [5] to provide more efficient data compression.
T-Pain became so associated with Auto-Tune that he had an iPhone app named after him that simulated the effect, "I Am T-Pain". [23] Eventually dubbed the "T-Pain effect", [ 7 ] the use of Auto-Tune became a fixture of late 2000s music, where it was used in other hip hop/R&B artists' works, including Snoop Dogg 's single " Sexual Eruption ...
An exciter (also called a harmonic exciter or aural exciter) is an audio signal processing technique used to enhance a signal by dynamic equalization, phase manipulation, harmonic synthesis of (usually) high frequency signals, and through the addition of subtle harmonic distortion. Dynamic equalization involves variation of the equalizer ...
Many electric guitar players intentionally overdrive their amplifiers (or insert a "fuzz box") to cause clipping in order to get a desired sound (see guitar distortion).. Some audiophiles believe that the clipping behavior of vacuum tubes with little or no negative feedback is superior to that of transistors, in that vacuum tubes clip more gradually than transistors (i.e. soft clipping, and ...
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A system may have low distortion for a steady-state signal, but not on sudden transients. In amplifiers, this problem can be traced to power supplies in some instances, to insufficient high-frequency performance or to excessive negative feedback. Related measurements are slew rate and rise time. Distortion in transient response can be hard to ...