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Herb Alpert (born March 31, 1935) is an American multi-instrumentalist, songwriter, record producer, arranger, conductor, painter, sculptor and theatre producer, who led the band Herb Alpert & the Tijuana Brass (sometimes called "Herb Alpert and the TJB") in the 1960s.
The songs on Going Places are a mixture of sessions featuring Alpert's touring band and those with other session musicians, according to the liner notes in the Shout!Factory CD release. [citation needed] The single version of "Tijuana Taxi" features more of the bicycle-horn sound effects than does the album version. "Tijuana Taxi" and "Spanish ...
Greatest Hits is a 1970 album by Herb Alpert & the Tijuana Brass. It was the group's first compilation album, with all selections coming from its first five albums. The album was released a few months after Alpert had disbanded the group.
The Brass Are Comin' is a 1969 album by Herb Alpert & the Tijuana Brass, the group's 13th release and its last album before disbanding in December 1969. It was the first of the group's albums to not achieve gold certification.
Alpert, now 88, has not slowed down over the last decade, touring with his wife and releasing nine albums, including his 49th studio album last year. Herb Alpert speaks about his music career ...
Coney Island is a 1975 studio album by Herb Alpert & The Tijuana Brass, the second release that was billed as "Herb Alpert & The T.J.B." It followed the 1974 release of You Smile – The Song Begins. Both albums reflected personnel changes from the Brass that was disbanded after 1969's The Brass Are Comin'. [1]
The Beat of the Brass is the tenth album by the popular instrumental group Herb Alpert & the Tijuana Brass, released in 1968.It was the last album by the Tijuana Brass to be released in both mono (LP 146) and stereo (SP 4146) versions; all albums afterward would be released in stereo only.
Bullish is a 1984 album [1] released by Herb Alpert and the Tijuana Brass, though the Tijuana Brass was not involved in its making. The album was reissued in 2017. The music of the album is mostly electro-funk, with Alpert's characteristic trumpet in accompaniment. [2] The album is mostly instrumental, though Lani Hall provides vocals on the ...
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