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James Fenimore Cooper (September 15, 1789 – September 14, 1851) was an American writer of the first half of the 19th century, whose historical romances depicting colonial and indigenous characters from the 17th to the 19th centuries brought him fame and fortune.
Felix Octavius Carr Darley (June 23, 1822 – March 27, 1888), often credited as F. O. C. Darley, was an American illustrator, known for his illustrations in works by well-known 19th-century authors, including James Fenimore Cooper, Charles Dickens, Mary Mapes Dodge, Nathaniel Hawthorne, Washington Irving, George Lippard, Henry Wadsworth Longfellow, Donald Grant Mitchell, Clement Clarke Moore ...
Aside from the Irvings and Paulding, the initial members of the group consisted of, but were not limited to, Fitz-Greene Halleck, Gulian Verplanck, James Fenimore Cooper, William Cullen Bryant and Joseph Rodman Drake. [8] Membership into the Knickerbocker group established its group members as literary personalities in New York. [8]
The Last of the Mohicans: A Narrative of 1757 is an 1826 historical romance novel by James Fenimore Cooper.It is the second book of the Leatherstocking Tales pentalogy and the best known to contemporary audiences. [2]
James Fenimore Cooper: His Country and His Art (Papers from the 1979 Conference at State University College of New York, Oneonta and Cooperstown). pp. 11–39. Rans, Geoffrey (1991). Cooper's Leather-Stocking Novels: A Secular Reading. University of North Carolina Press. White, Craig (2006). Student Companion to James Fenimore Cooper. Greenwood ...
The brunt of Mark Twain's satire and criticism of Cooper's writing, "Fenimore Cooper's Literary Offenses" (1895), fell on The Deerslayer and The Pathfinder.Twain wrote at the beginning of the essay: "In one place in Deerslayer, and in the restricted space of two-thirds of a page, Cooper has scored 114 offenses against literary art out of a possible 115.
The Pioneers was the first novel of James Fenimore Cooper's Leatherstocking Tales series, featuring the character Natty Bumppo, a resourceful white American living in the woods. The story focuses on the development of a "wilderness" area (as classified by European Americans) as a settled European-American community with refinements.
James Fenimore Cooper in an 1822 portrait. Everett Emerson (in Mark Twain: A Literary Life) wrote that the essay is "possibly the author's funniest". [6] Joseph Andriano, in The Mark Twain Encyclopedia, argued that Twain "Imposed the standards of Realism on Romance" and that this incongruity is a major source of the humor in the essay.
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