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The only actually built church of the pioneer of Glasgow style Charles Rennie Mackintosh is the Queen's Cross Church (1898-1899) in Glasgow. An Art Nouveau design [3] by Bradshaw and Gass had a former Methodist church (1905) in Liverpool now hosting the Grand Central Hall, Hotel, and Grand Bazaar Food Hall. Churches that have Art Nouveau ...
As a substantial church in a prominent location, Holy Trinity Church is of considerable aesthetic value. [1] The place is important in demonstrating a high degree of creative or technical achievement at a particular period. The design uses particularly innovative building techniques for the period in which it was built.
The place is important because of its aesthetic significance. The church has architectural and aesthetic significance derived from the well composed design which uses architectural elements to enhance the formal presence of the church in its setting. The rectory also has aesthetic significance as a fine example of a gracious timber dwelling.
While rare in designs of church architecture, there are nonetheless some notable for recover and renew historical styles and "cultural memory" of Christian architecture. Notable practitioners include Dr. Steven Schloeder , Duncan Stroik , and Thomas Gordon Smith.
Theological aesthetics is the interdisciplinary study of theology and aesthetics, and has been defined as being "concerned with questions about God and issues in theology in the light of and perceived through sense knowledge (sensation, feeling, imagination), through beauty, and the arts". [1]
St Mark's is a small single-storeyed timber building set on low, square section metal posts. It has a steeply pitched gabled roof clad in corrugated iron. To the rear of the church is a 3 sided apse and placed centrally at the front is a lower and narrower gabled roof covering a small vestry which is linked to the church by an entrance porch.
Christ Church, Childers is a refined piece of architectural design, in particular the elegant timber detailing of the interior of the church has aesthetic significance. The church has a fine and rare set of windows by distinguished artist and stained glazier William Bustard, which are among the aesthetically significant features of the building.
The church is oriented along an east–west axis with the entry porch to the west. The towering silos of the Peanut Company of Australia stand to the north of the church grounds and form a dominant backdrop to the place. [1] The church building is laid out in a typical cruciform plan with a central nave formed by a long, steeply gabled roof.
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