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A 1930 version recorded by Louis Armstrong featuring Lionel Hampton is the first known use of the vibraphone in popular music. The Armstrong recording in 1930 was reviewed by Times magazine's monthly record review alongside opera records and Western art music records of composers such as Bach, Beethoven, Schumann, and Ravel. [2]
Trummy Young (right) and Jimmie Lunceford, early 1940s Young, left, shaking hands with Louis Armstrong at a 1955 concert in Oslo. James "Trummy" Young (January 12, 1912 – September 10, 1984) [1] was an American trombonist in the swing era. He established himself as a star during his 12 years performing with Louis Armstrong in
Armstrong in 1947. Louis Armstrong (1901–1971), nicknamed Satchmo [1] or Pops, was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz and in all of American popular music.
Armstrong avidly typed or wrote on whatever stationery was at hand, recording instant takes on music, sex, food, childhood memories, his heavy "medicinal" marijuana use, and even his bowel movements, which Armstrong gleefully described.
It was recorded by Marion Harris on July 22, 1918, and released by Victor Records. [2]The song became so popular that the sheet music was later decorated with tiny photographs of the 45 men who made the song famous, including Paul Whiteman, Rudy Vallée, B.A. Rolfe, Guy Lombardo, and Louis Armstrong.
Louis Armstrong used it as his theme song. [54] It is also known as "Sleepy Time Down South". "When Your Lover Has Gone" is a song from the film Blonde Crazy, written by Einar Aaron Swan. Gene Austin, Louis Armstrong, Ethel Waters and Benny Goodman all recorded the song in 1931, and Austin's rendition was the first to hit the charts. [55]
Louis Armstrong with his All-Stars and Duke Ellington – The Great Reunion (1961) [8] and included on The Great Summit; Louis Armstrong – I've Got the World on a String (1960) [9] Tony Bennett and Miguel Bosé – Viva Duets (2010) Michael Bublé – BaBalu (1996) [10] Joan Cartwright with Lonnie Smith – In Pursuit of a Melody (1991) [11]
After his discharge he worked with Billy Butterfield, then was pianist in the initial formation of Louis Armstrong's All-Stars in 1947–48. [3] In 1949–50 he was in Jimmy Dorsey 's orchestra, and in the 1950s worked with Eddie Condon , Pee Wee Russell , Max Kaminsky , Bud Freeman , Jimmy McPartland , and starting in 1957 a long-term ...
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