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Lionel Charles Knights (15 May 1906 – 8 March 1997) was an English literary critic, an authority on Shakespeare and his period. His essay How many children had Lady Macbeth? (1933) is a classic of modern criticism. He became King Edward VII Professor of English Literature at the University of Cambridge in 1965.
Though brief, less than 2,000 words in length, it has been called "De Quincey's finest single critical piece" and "one of the most penetrating critical footnotes in our literature". [5]: 131 [6] Commentators who are dismissive of De Quincey's literary criticism in general make an exception for his essay on Macbeth. [5]: 118, 131
Reviewing a production of Macbeth in Beijing in 1980, one Chinese critic, Xu Xiaozhong, praised Macbeth as the story of "how the greed for power finally ruined a great man". [35] Another critic, Zhao Xun, wrote: "Macbeth is the fifth Shakespearean play produced on the Chinese stage after the smashing of the Gang of Four. This play of conspiracy ...
This opinion recurs in critical literature, and, according to Caroline Spurgeon, is supported by Shakespeare himself, who apparently intended to degrade his hero by vesting him with clothes unsuited to him and to make Macbeth look ridiculous by several exaggerations he applies: his garments seem either too big or too small for him – as his ...
Grosser examples of the effect have been noted in literature ever since people started analyzing double plots and noticing echoing situations and spotting thematic common denominators and sustained patterns of imagery." Close Reading Without Readings. Harold Bloom, 1994: "...Shakespeare is the Canon. He sets the standard and the limits of ...
This is that Brooks and the New Critics did not discount the study of the historical context of the literary work, nor its affective potential for the reader, nor its connection to the life experiences of the author. As he wrote in his essay The Formalist Critics, such study is valuable, but should not be confused with criticism of the work ...
Proposals for printing a new edition of the plays of William Shakespeare, with notes, critical and explanatory, in which the text will be corrected: the various readings remarked: the conjuectures of former editors examined, and their omissions supplied. By the author of the Miscellaneous Observations on the Tragedy of Macbeth. [12]
According to Formalist critics, this action of creating an emotion through external factors and evidence linked together and thus forming an objective correlative should produce an author's detachment from the depicted character and unite the emotion of the literary work.