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Script coverage is a filmmaking term for the analysis and grading of screenplays, often within the "script development" department of a production company. [1] While coverage may remain entirely oral, it usually takes the form of a written report, guided by a rubric that varies from company to company. [ 2 ]
The Black List tallies the number of "likes" various screenplays are given by development executives, and then ranks them accordingly. The most-liked screenplay is The Imitation Game, which topped the list in 2011 with 133 likes; it went on to win the Academy Award for Best Adapted Screenplay at the 87th Academy Awards in 2015.
Read-through of sitcom pilot. The read-through, table-read, or table work is a stage of film, television, radio, and theatre production when an organized reading of the screenplay or script is conducted around a table by the actors with speaking parts.
A script analyst, script reader, or story analyst is an individual who reads a film script to determine the material's desirable and undesirable characteristics as relates to story and film production. [1] This information is often useful for judging the quality of a script, and analysts often provide feedback and suggestions for improving it. [2]
Screenplay: The Foundations of Screenwriting ("A Step-by-Step Guide from Concept to Finished Script") is a non-fiction book and filmmaking guide written by Syd Field. First published in 1979, Screenplay covers the art and craft of screenwriting. Considered a bestseller shortly after its release, to date it has sold millions of copies.
A "Screenplay by" credit may also be used, when the writers for the story and screenplay are different, or in similar circumstances to a screen story credit (either if the work is not mostly original, or in addition to the screen story credit). [23] [28] No more than two writers can share a screenplay credit except in cases of arbitration.
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Michael Hauge divides primary characters into four categories. A screenplay may have more than one character in any category. hero: This is the main character, whose outer motivation drives the plot forward, who is the primary object of identification for the reader and audience, and who is on screen most of the time.
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related to: screenplay readers coverage guide