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In 2008, a phonautograph paper recording made by Édouard-Léon Scott de Martinville of "Au clair de la lune" on 9 April 1860, was digitally converted to sound by researchers at the Lawrence Berkeley National Laboratory. This one-line excerpt of the song is the earliest recognizable record of the human voice and the earliest recognizable record ...
"Clair de lune" (Fauré), setting of the Paul Verlaine poem by Fauré, from his Two Songs, Op. 46 (1887) Clairs de lune, a set of four piano pieces, each titled "Claire de Lune", by Abel Decaux (1907) Piano Sonata No. 14 (Beethoven), Op. 27, No. 2 (1801), the "Moonlight" piano sonata by Beethoven, known in French as Sonate au Clair de lune
Clair de lune" (French for "Moonlight") is a poem written by French poet Paul Verlaine in 1869. It is the inspiration for the third and most famous movement of Claude Debussy's 1890 Suite bergamasque. Debussy also made two settings of the poem for voice and piano accompaniment.
Later, researchers discovered that a misinterpretation of a reference frequency had led to the playback speed being doubled. Once corrected, it became apparent that the recording was likely of a man, probably of the inventor Édouard-Léon Scott de Martinville himself, singing the French folk song "Au clair de la lune" at a slow pace. [4]
Passepied had first been composed under the title Pavane, while Clair de lune was originally entitled Promenade sentimentale. These names come from poems by Paul Verlaine. [1] The title of the third movement of Suite bergamasque is taken from Verlaine's poem "Clair de lune", which refers to bergamasks in the opening stanza: [1]
Additional recordings include tuning fork, Au Clair de la lune, opening lines of Torquato Tasso's pastoral drama Aminta, Vocal scale and Fly, little bee. [ 8 ] A phonautogram by Scott containing the opening lines of Torquato Tasso 's pastoral drama Aminta , which is the earliest audible record of spoken Italian , has also been found.
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