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J. R. R. Tolkien's fantasy books on Middle-earth, especially The Lord of the Rings and The Silmarillion, drew on a wide array of influences including language, Christianity, mythology, archaeology, ancient and modern literature, and personal experience.
Guy Gavriel Kay, who had assisted Christopher Tolkien with the editing of The Silmarillion, later wrote his own Tolkien-influenced fantasy trilogy, The Fionavar Tapestry (1984–86), complete with dwarves and mages. [32] Dennis L. McKiernan's Silver Call duology was intended to be a direct sequel to The Lord of the Rings but had to
The Narnia film trilogy adapted from the novel series by Tolkien's friend C. S. Lewis were produced due to the popularity of The Lord of the Rings. George R. R. Martin acknowledged Tolkien influenced his Game of Thrones TV series and novels about medieval fantasy, while speaking about a movie about Tolkien's life.
Classical music inspired by Middle-earth includes Johan de Meij's Symphony No. 1 "The Lord of the Rings" and Aulis Sallinen's Symphony No. 7 The Dreams of Gandalf. [33] Among many works of popular music that reference Tolkien's works is the Led Zeppelin song "Ramble On", in which Gollum and the Dark Lord get up to some surprising things. [12]
A devout Roman Catholic, he described The Lord of the Rings as "a fundamentally religious and Catholic work", rich in Christian symbolism. [5] The Tolkien scholar Tom Shippey, like Tolkien a philologist, called Beowulf the single work that most strongly influenced Tolkien, out of the many other sources that he used. [6]
The new Lord of the Rings film The War of the Rohirrim has scored a meagre opening on its first weekend in cinemas, following a spate of poor reviews.. The new animated fantasy film, which ...
Brian Cox is finally starring in a Lord of the Rings movie. If you ask him, it’s been a long time coming. “I'm very grateful to Peter Jackson for introducing me to J.R.R. Tolkien because I ...
Tolkien's fantasy books on Middle-earth, especially The Lord of the Rings and The Silmarillion, drew on a wide array of influences, including his philological interest in language, [113] Christianity, [114] [115] medievalism, [116] mythology, archaeology, [117] ancient and modern literature, and personal experience.
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