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A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
Claddagh ring. A Claddagh ring (Irish: fáinne Chladaigh) is a traditional Irish ring in which a heart represents love, the crown stands for loyalty, and two clasped hands symbolize friendship. [1] [2] The design and customs associated with it originated in Claddagh, County Galway. Its modern form was first produced in the 17th century. [3]
The jewellery consists of a necklace, three pendants and a fibula (brooch), all made from gold. [2] The fibula is of particular interest because it is decorated with a human head in the style of the La Tène culture, associated with the Celts, showing Celtic or Celtiberian influence on the Iberian societies of the east coast of the peninsula. [3]
Nibelungen ring, Alberich steals the Rhinegold from the Rhinemaidens, having learned that he who is willing to renounce love will thereby gain the ability to forge a ring of power from the gold. Alberich forges the ring and makes himself lord over all the Nibelungen. (German mythology) Aladdin's ring, a magic ring the sorcerer from the Maghreb ...
Celtic torcs disappeared in the Migration Period, but during the Viking Age torc-style metal necklaces, mainly in silver, came back into fashion. [2] Similar neck-rings are also part of the jewellery styles of various other cultures and periods.
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