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A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
Gold lunula from Blessington, Ireland, Late Neolithic/Early Bronze Age, c. 2400BC – 2000BC, Classical group. A gold lunula (pl. gold lunulae) was a distinctive type of late Neolithic, Chalcolithic, and—most often—early Bronze Age necklace, collar, or pectoral shaped like a crescent moon.
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
The finest period is from the 8th and 9th centuries, before the Vikings disrupted the societies. Ornate Irish examples in the period are usually "pseudo-penannular"; in fact closed rings, but imitating the penannular form. Examples like the Tara Brooch are among the most spectacular pieces of jewellery of the early medieval period. When the ...
[276] [277] Agnes Gray, Lady Home, surrendered a jewel with fifteen diamonds set in gold with white enamel and a pearl "carcat" necklace which together had been her security for a loan of £600 Scots. [278] The lawyer Robert Scott returned a "carcan" or garnishing, circled about with pearls, rubies and diamonds. [279]
The Great Torc weighs slightly more than 1 kg (2 lb 3 oz) and is mostly made of gold alloyed with a small fraction of silver. [1] The torc was made in two ways: 64 [1] complex threads of metal were grouped into ropes and twisted around each other to create the crescent shaped necklace; the ends of the torc were cast in moulds with La Tène designs and welded onto the metal ropes to create the ...
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