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"Hey, That's No Way to Say Goodbye" is a song by Leonard Cohen. [1] It was first released in November 1967, in a version by Judy Collins on her album Wildflowers . The following month, Cohen's own version was issued on his debut album Songs of Leonard Cohen .
The lyrics are a tongue-in-cheek narrative where to save face, the singer claims he will say his girlfriend died in a variety of outlandish ways rather than admit she dumped him. The song had some inspiration from Paul Simon's "50 Ways to Leave Your Lover" and was originally going to be titled "50 Ways to Kill Your Lover". That title was tossed ...
"Leaving a childhood friend behind, I've gone through that. I've been through a divorce, and I've lost a parent. I've known all three experiences. I think that this song is a way of making us understand that you've got to say goodbye. It's a very hard word, but it's a part of our lives."
"Comment te dire adieu" (English: "How to Say Goodbye to You") is a French adaptation of the song "It Hurts to Say Goodbye". It was originally recorded by Françoise Hardy in 1968. "It Hurts to Say Goodbye" was written by Arnold Goland, probably best known for his co-operation with Phil Spector , and the American producer and songwriter Jacob ...
"Bella ciao" (Italian pronunciation: [ˈbɛlla ˈtʃaːo]; "Goodbye beautiful") is an Italian song dedicated to the partisans of the Italian resistance, which fought against the occupying troops of Germany and the collaborationist Fascist forces during the liberation of Italy.
A second version of the song, sung partly in English, released in 1996 as "Time to Say Goodbye", paired Bocelli with British soprano Sarah Brightman, and achieved even greater success, topping charts all across Europe, including Germany, where it became the biggest-selling single in history.
This page was last edited on 11 February 2023, at 18:31 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
"Suzanne" was inspired by Cohen's platonic relationship with the dancer Suzanne Verdal. Its lyrics describe the rituals that they enjoyed when they met: Suzanne would invite Cohen to visit her apartment by the harbour in Montreal, where she would serve him Constant Comment tea, [5] and they would walk around Old Montreal past the church of Notre-Dame-de-Bon-Secours, where sailors were blessed ...