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The Three Trees is a 1643 print in etching and drypoint by Rembrandt, his largest landscape print. It was assigned the number B.212 by Adam von Bartsch and impressions of the work are in the Rijksmuseum, the Musée des beaux-arts du Canada and the Bibliothèque nationale de France. [1] [2]
The Mill (1641, etching) The Three Trees (1643, etching and drypoint) “La Campagne du peseur d'or” (1651, etching and drypoint) Nature morte, free subjects and nudes. The Seashell (1650, etching, drypoint and burin on paper), Rembrandt's only still life. The Draftsman and his Model (unfinished, ca. 1639, etching, drypoint, and burin)
Landscape with trees, farm buildings and a tower: About 1651 B041: 3: David in prayer: 1652 B065: 3: Christ disputing with the doctors: a sketch: 1652 B222: 2: Clump of trees with a vista: 1652 B224: 2: Landscape with a hay barn and a flock of sheep: 1652 B046: 8: The adoration of the shepherds: a night piece: About 1652 B067: 1: Christ ...
A new exhibition at the Worcester Art Museum is an expansive showcase of Rembrandt’s formidable printmaking skills. Titled “Rembrandt: Etchings from the Museum Boijmans Van Beuningen,” the ...
A painting valued at $15,000 just two years ago is now expected to fetch up to $18 million at auction after being identified as the work of the Dutch master Rembrandt. “The Adoration of the ...
The drawing is related to the etching B162 : Self-portrait with Open Mouth: c. 1628-1629: Pen and brown ink with grey wash; ruled framing lines in the same brown ink: 12.7 x 9.5 cm: British Museum, London: The drawing is related to the etching B013 : Self-portrait: c. 1629: Pen: 12.7 x 9.4 cm: Rijksmuseum Amsterdam: The drawing is related to ...
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. “The French Bed,” drawn by the Dutch ...
Jan van Goyen, Dune landscape, c. 1630–1635, an example of the "tonal" style in Dutch Golden Age painting Rembrandt, The Three Trees, 1643, etching. The popularity of exotic landscape scenes can be seen in the success of the painter Frans Post, who spent the rest of his life painting Brazilian landscapes after a trip there in 1636–1644.
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