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Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. The sources of English secular music are much more limited than for ecclesiastical music.
Professional musicians were employed by the Church of England, the nobility, and the rising middle-class. Elizabeth I was fond of music and played the lute and virginal, sang, and even claimed to have composed dance music. [1] [2] She felt that dancing was a great form of physical exercise and employed musicians to play for her while she danced ...
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. [1] Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. [1]
England has a long and diverse history of folk music dating back at least to the medieval period and including many forms of music, song and dance. Through three periods of revival from the late nineteenth century much of the tradition has been preserved and continues to be practiced. [ 21 ]
Some Norman lords used England as a launching point for attacks into South and North Wales, spreading up the valleys to create new Marcher territories. [24] By the time of William's death in 1087, England formed the largest part of an Anglo-Norman empire, ruled over by a network of nobles with landholdings across England, Normandy, and Wales. [25]
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
The nobility could commission artisans to entertain them with works of art, music and theatre (Kareti, 1997). They would also enjoy or participate in the sports of fencing, falconry, horse riding and hunting; they enjoyed extravagant parties and dances, attended the opera house, and had the best seats in the theater. [1]
The leading figure in British music of the early 18th century was a naturalized Briton, George Frideric Handel (1685–1759). Although he was born in Germany, he first visited England in 1710, later moving there and becoming a naturalised citizen, playing a defining role in the music of the British Isles. [13]