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Cassadaga is the eighth studio album by Bright Eyes, released in the UK on April 9, 2007, and in the US on April 10. Around 25 to 30 songs were recorded in 2006, [14] with 13 of these appearing on the final track list. The album is named after the town of Cassadaga, Florida. [15]
Digital Ash in a Digital Urn is the seventh studio album by American band Bright Eyes, released on January 25, 2005 by Saddle Creek Records, the same day as their sixth album I'm Wide Awake, It's Morning. It peaked at number 15 in the US [14] and 43 in the UK. In US it has sold 268,000 units. [15]
"Let the Distance Bring Us Together" (Home Volume IV: Bright Eyes & Britt Daniel, 2002) "Light Pollution" (Digital Ash in a Digital Urn, 2005) "Lila" (A Collection of Songs Written and Recorded 1995–1997, 1998) "Lime Tree" (Cassadaga, 2007) "A Line Allows Progress, a Circle Does Not" (Every Day and Every Night, 1999)
Bright Eyes is an American indie rock band founded by singer-songwriter and guitarist Conor Oberst. It consists of Oberst, multi-instrumentalist and producer Mike Mogis , arranger, composer and trumpet and piano player Nate Walcott , and a rotating line-up of collaborators drawn primarily from Omaha's indie music scene .
Bright Eyes / Squad Car 96: Squad Car 96 H. (RAV011/AMV007) 7-inch: 1999 Too Much of a Good Thing is a Good Thing: Books Vanishing Act (VA-002) 7-inch 2000 Bright Eyes vs Her Space Holiday: Her Space Holiday: Wichita (WEBB005S) 7-inch, CD Insound Tour Support Series No. 12: Son, Ambulance: Insound (INS12) CD 2001
I'm Wide Awake, It's Morning is the sixth studio album by American band Bright Eyes, released on January 25, 2005 by Saddle Creek Records (the same day as their seventh album, Digital Ash in a Digital Urn). The album was reissued by Dead Oceans alongside a six-track companion EP on November 11, 2022. [5]
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According to designer Zack Nipper, the basic idea for the "wall of fire" design came from Conor Oberst, who wanted it to be "visually striking".The design was created using cut paper, similar to the cover for Every Day and Every Night, the first Bright Eyes release Nipper had worked on.
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