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The following text may date back to the War of Spanish Succession (1702–1713), since it refers to the grenadiers throwing grenades and the men wearing "caps and pouches" (i.e. the tall grenadier caps, [10] worn by these elite troops, and the heavy satchel [11] in which grenades were carried) and "loupèd clothes" – coats with broad bands of 'lace' across the chest that distinguished early ...
Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier (or soldier) and a lady. [1] Lyrics have been traced to the late 17th or early 18th century. There are a number of textual variants, and the song has many titles.
17th century grenadier throwing a hand grenade.The concept of throwing grenades made its way to Europe during the mid-17th century. The concept of troops being equipped with grenades dates back to the military of the Ming dynasty, when Chinese soldiers stationed on the Great Wall used thunder crash bombs.
The march The British Grenadiers was introduced to British audiences in the late 17th century. [ 3 ] George II gave Handel the task of scoring the Music for the Royal Fireworks , most commonly performed with strings, for the king's own musicians, who were wind players from his foot guards.
(The melody appears to be largely derived from The Pappenheimer March, which dates from the early-17th century.) It is understood that the king issued to the Bayreuther dragoon regiment a Gnadenbrief , or "letter of grace", that authorized it to play both grenadier marches of the foot soldiers (with flutes and drums) and the cuirassier marches ...
Their uniform reflects that of the Band of the Grenadier Guards in the final decades of the 19th century, with the single gold buttons and gold trim. [37] The British Imperial Military Band is a concert/marching band composed of ex-military Musicians from all three branches. [38]
Pages in category "17th century in music" The following 94 pages are in this category, out of 94 total. This list may not reflect recent changes. 0–9. 1601 in music;
Grenadier and Eicher mixed the album at Studios La Buissonne in France. Grenadier also explained, "I experimented with various tunings and scordatura, like the 17th- and 18th-century violinists used, to get a full range of sounds – and that ended up giving the instrument a whole new vibration for me, a feeling of real sonic potential."