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The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself.
"Purple Haze" is a song written by Jimi Hendrix and released as the second single by the Jimi Hendrix Experience on March 17, 1967, in the United Kingdom. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques.
An essentially nine-note blues scale is defined by Benward and Saker as a chromatic variation of the major scale featuring a flat third and seventh degrees (in effect substitutions from Dorian mode) which, "alternating with the normal third and seventh scale degrees are used to create the blues inflection. These 'blue notes' represent the ...
Although the chord progressions sound similar, they do in fact differ as "Mary Jane's Last Dance" follows "Am, G, D, Am" (A Dorian mode), while "Dani California" follows "Am, G, Dm, Am" (A minor). University of Chicago musicologist Travis Jackson said the songs' chord progressions were similar, but were a "pretty standard groove" in music and ...
Kronos Quartet is a studio album by the Kronos Quartet, the first of their albums on Nonesuch Records.It contains compositions by Australian composer Peter Sculthorpe, Finnish composer Aulis Sallinen, American composer Philip Glass, and American/Mexican composer Conlon Nancarrow.
"So What" is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis. It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E ♭ Dorian and another eight of D Dorian. [1]
"Purple Haze" (Jimi Hendrix cover) 3:20: Total length: 38:54: Personnel. All information is taken from the CD liner notes of the 1988 release. [4] Coroner.
Perhaps the most striking use of the interval in rock music of the late 1960s can be found in Jimi Hendrix's song "Purple Haze". According to Dave Moskowitz (2010, p. 12), Hendrix "ripped into 'Purple Haze' by beginning the song with the sinister sounding tritone interval creating an opening dissonance, long described as 'The Devil in Music'."