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The letters are designed to be written easily, each requiring only one (usually curved) pen stroke. Just as in the Roman alphabet, there are short letters (e.g. a, c, e, m, and n), written between the base writing line and the "upper parallel" (as Read calls it), tall letters (e.g. b, d, f, k, and t), which ascend above the top of the short ...
Noordzij introduced his own method of teaching typography and type design at the Royal Academy of Art, based on his theoretical system ′The stroke of the pen′.He presented this system in a booklet called The stroke of the pen: fundamental aspects of western writing (1982), and further developed it in the Dutch booklet De Streek: Theorie van het schrift (1985) (which was translated to ...
Detail from Zaner's 1896 article: The Line of Direction in Writing [3] A major factor contributing to the development of the Zaner-Bloser teaching script was Zaner's study of the body movements required to create the form of cursive letters when using the 'muscular arm method' of handwriting – such as the Palmer Method – which was prevalent in the United States from the late 19th century.
Naskh differentiates various sounds through the use of diacritical points, in the form of 1–3 dots above or below the letter, which makes the script more easily legible. [6] Naskh uses a horizontal base line; in situations where one character starts within the tail of the preceding letter, the base line is broken and raised. [ 9 ]
Script typefaces are based on the varied and often fluid stroke created by handwriting. [1] [2] They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting.
The Tartessian or Southwestern script is typologically intermediate between a pure alphabet and the Paleohispanic full semi-syllabaries. Although the letter used to write a stop consonant was determined by the following vowel, as in a full semi-syllabary, the following vowel was also written, as in an alphabet. Some scholars treat Tartessian as ...
On 11 April 1898, the architect and historian William Lethaby offered Edward Johnston a job teaching illuminating and calligraphy at the Central School of Arts and Crafts in London, and Johnston began to teach classes on 21 September 1899. [46] Lethaby was keen to increase students' interest in the aesthetic value of letters.
Semi-cursive script, also known as running script, is a style of Chinese calligraphy that emerged during the Han dynasty (202 BC – 220 AD). The style is used to write Chinese characters and is abbreviated slightly where a character's strokes are permitted to be visibly connected as the writer writes, but not to the extent of the cursive style. [2]
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