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Detail from Zaner's 1896 article: The Line of Direction in Writing [3] A major factor contributing to the development of the Zaner-Bloser teaching script was Zaner's study of the body movements required to create the form of cursive letters when using the 'muscular arm method' of handwriting – such as the Palmer Method – which was prevalent in the United States from the late 19th century.
The letters are designed to be written easily, each requiring only one (usually curved) pen stroke. Just as in the Roman alphabet, there are short letters (e.g. a, c, e, m, and n), written between the base writing line and the "upper parallel" (as Read calls it), tall letters (e.g. b, d, f, k, and t), which ascend above the top of the short ...
Florey, Kitty Burns (January 20, 2009). Script and Scribble: The Rise and Fall of Handwriting (First ed.). Melville House. ISBN 978-1933633671.; The Palmer Method of Business Writing: A Series of Self-teaching Lessons in Rapid, Plain, Unshaded, Coarse-pen, Muscular Movement Writing for the Home Learner, Where an Easy and Legible Hand-writing is Sought.
Script typefaces are based on the varied and often fluid stroke created by handwriting. [1] [2] They are generally used for display or trade printing, rather than for extended body text in the Latin alphabet. Some Greek alphabet typefaces, especially historically, have been a closer simulation of handwriting.
The Greeks eventually adapted the Phoenician alphabet around the eighth century BC. Adding vowels to the alphabet, dropping some consonants and altering the order, the Ancient Greeks developed a script which included only what we know of as capital Greek letters. [6] The lowercase letters of Classical Greek were a later invention of the Middle ...
From Boeing's turbulence and a catastrophic hurricane, to Donald Trump's election victory, "Sunday Morning" host Jane Pauley looks back at key events of a year that was monumental.
On 11 April 1898, the architect and historian William Lethaby offered Edward Johnston a job teaching illuminating and calligraphy at the Central School of Arts and Crafts in London, and Johnston began to teach classes on 21 September 1899. [46] Lethaby was keen to increase students' interest in the aesthetic value of letters.
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