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Naam Yog Sadhna Mandir (Hindi: नाम योग साधना मंदिर) is a temple in Mathura, India. [1] It was constructed by the guru Jai Gurudev(Baba Jai Gurudev) and is also known as the Jai Gurudev Temple. [2] It is looked after by the organization/trust - Jai Gurudev Dharma Pracharak Sanstha, MATHURA. Naam Yog Sadhna Mandir
Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...
Narendra Chanchal (16 October 1940 – 22 January 2021) was an Indian singer who specialized in religious songs and hymns. Besides several bhajans, Chanchal had also sung songs in Hindi films as well. He was the singer of many iconic bhajans & Hindi film songs in history.
Ravindra Jain (28 February 1944 – 9 October 2015) [1] [2] was an Indian music composer, lyricist and playback singer. He started his career in the early 1970s by composing for several hit movies. He started his career in the early 1970s by composing for several hit movies.
Anuradha Paudwal (born 27 October 1954) is an Indian playback singer and politician who works predominantly in Hindi cinema. [1] [2] [3] She has been described in media as one of the most prominent Bhajan singers [4] and also as one of the most successful playback singers of 80s and 90s era of Bollywood.
Year Film Song Composer(s) Co-artist(s) 1974 Yashoda "Ghumala Hrudayi Naad Ha" Datta Davjekar: Solo 1976 Ha Khel Sawalyancha "Aala Aala Wara" Hridaynath Mangeshkar
Hemlata was also nominated for Filmfare award for the best female playback singer for this song. It has received millions of views on YouTube. [5] Hemlata sang on Jain's cassette album Sahaj Dhara (1991) dedicated to Shri Mataji Nirmala Devi, and sang songs from this album in two concerts in Brussels, Belgium in July 1992. [6] [7]
According to Guru Granth Sahib, Jaijaivanti (ਜੈਜਾਵੰਤੀ) expresses the feeling of happiness and satisfaction of achievement, while simultaneously conveying the sadness of losing. An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield.