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A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Master of Frankfurt, Saint Odile and Saint Cecilia, ca. 1503–1506, oil on panel, 113 x 67.9 cm (44 1/2 x 26 3/4 in.), Historical museum, Frankfurt.This painting, rendered in grisaille, forms part of the outer wings of the Altarpiece of St. Anne commissioned for the Dominican Church of Frankfurt circa 1504.
The painting was accepted because it combined a nude portrayal with a historical scene, which matched the taste of the public and the Salon jury during that period. [6] In his self-biography, Corinth did not mention the painting, but he does describe his joy at the award for the Pietà: [8]
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
The drawing is related to the painting W23 : Standing Beggar in Lost Profile: c. 1628-1629: Pen: 29.4 x 17 cm: Rijksmuseum Amsterdam: The drawing is related to the etching B162 : Self-portrait with Open Mouth: c. 1628-1629: Pen and brown ink with grey wash; ruled framing lines in the same brown ink: 12.7 x 9.5 cm: British Museum, London
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
Self-Portrait is an oil painting on panel of c. 1629–1630 by the Dutch artist Jan Lievens. The work is held in a private collection, but was exhibited in Washington, D.C., from 2008 to 2009, and worldwide with the Leiden Collection from 2017 and 2019.
Corinth had been painting self-portraits regularly since 1886, but the skeleton does not appear in any other of them. He would return to the motif of the hanging skeleton depicted with him, twenty years later, and five years after his stroke, in 1916, in The Artist and Death. This time, there isn't a studio window visible, but instead, as a ...