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The humanist spirit driving the Renaissance produced its own unique style of formal writing, known as "cursiva humanistica". This slanted and rapidly written letter evolved from humanistic minuscule and the remaining Gothic current cursive hands in Italy, served as the model for cursive or italic typefaces. As books printed with early roman ...
Not all such cursive, then or now, joined all of the letters within a word. Cursive handwriting from the 19th-century US. In both the British Empire and the United States in the 18th and 19th centuries, before the typewriter, professionals used cursive for their correspondence.
Kurrent (German: [kʊˈʁɛnt]) is an old form of German-language handwriting based on late medieval cursive writing, also known as Kurrentschrift ("cursive script"), deutsche Schrift ("German script"), and German cursive. Over the history of its use into the first part of the 20th century, many individual letters acquired variant forms.
When the distinction between majuscule (uppercase) and minuscule (lowercase) letter forms became established, toward the end of the eighth century, it developed a more vertical form. [7] During this period, it was occasionally used at the end of a word, a practice that quickly died but that was occasionally revived in Italian printing between ...
Later in the 17th and 18th centuries, English writing masters including George Bickham, George Shelley and Charles Snell helped to propagate Round Hand's popularity, so that by the mid-18th century the Round Hand style had spread across Europe and crossed the Atlantic to North America.
Court hand: alphabet (upper-cases and lower-cases) and some syllable abbreviations. Court hand (also common law hand, Anglicana, cursiva antiquior, and charter hand [1]) was a style of handwriting used in medieval English law courts, and later by professionals such as lawyers and clerks.
English script is a cursive style, used especially for capital letters, which first emerged in 18th century England, and later spread across the world.This very elaborate script appeared with the spread of the metallic quill.
In the 18th century, the German Theuerdank Fraktur was further developed by the Leipzig typographer Johann Gottlob Immanuel Breitkopf to create the typeset Breitkopf Fraktur. While over the succeeding centuries, most Central Europeans switched to Antiqua , German speakers remained a notable holdout.