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  2. Harlem Nights - Wikipedia

    en.wikipedia.org/wiki/Harlem_Nights

    Harlem Nights was released in the United States and Canada on November 17, 1989. During its opening weekend it grossed a total of $16.1 million from 2,180 theaters—an average of $7,383 per theater—making it the highest grossing film of the weekend, ahead of Look Who's Talking ($8.5 million) in its sixth week of release, and the debuting The ...

  3. American Girl’s latest historical doll is Claudie Wells, a ...

    www.aol.com/lifestyle/american-girl-latest...

    The brand collaborated with Harlem's Fashion Row and New York-based designer Samantha Black for three special edition outfits reminiscent of 1920s glamour. Claudie's additional accessory line ...

  4. Rent party - Wikipedia

    en.wikipedia.org/wiki/Rent_party

    A rent party (sometimes called a house party) is a social occasion where tenants hire a musician or band to play and pass the hat to raise money to pay their rent, originating in Harlem during the 1920s. These parties were a means for Black tenants to eat, dance, and get away from everyday hardship and discrimination.

  5. Archibald Motley - Wikipedia

    en.wikipedia.org/wiki/Archibald_Motley

    Archibald John Motley, Jr. (October 7, 1891 – January 16, 1981), [1] was an American visual artist. Motley is most famous for his colorful chronicling of the African-American experience in Chicago during the 1920s and 1930s, and is considered one of the major contributors to the Harlem Renaissance, or the New Negro Movement, a time in which African-American art reached new heights not just ...

  6. The Met’s ‘The Harlem Renaissance and Transatlantic ... - AOL

    www.aol.com/met-harlem-renaissance-transatlantic...

    To further explore the impact of the Harlem Renaissance, tune into theGrio’s upcoming podcast “Harlem and Moscow.”Based on the true story of one of America’s best-kept literary secrets ...

  7. Cotton Club - Wikipedia

    en.wikipedia.org/wiki/Cotton_Club

    [30] Langston Hughes, a key figure of the Harlem Renaissance, attended the Cotton Club as a rare black customer. Following his visit, Hughes criticized the club's segregated atmosphere and commented that it was "a Jim Crow club for gangsters and monied whites."

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