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While sources agree that Su was a talented poet, the background story and interpretation of the poem changed over the centuries, from the lament of a wife longing for her husband, to a wife worrying about her husband fighting on the frontier, to a jealous wife competing for her husband's affections. [4]
If Catullus's girlfriend Lesbia is, as is usually assumed, a pseudonym for Clodia, the wife of Quintus Caecilius Metellus Celer, it may be that he first met her in 62 BC, when her husband was governor of Cisalpine Gaul. [1] In poem 83 Metellus is spoken of as being still alive (he died in early 59 BC).
Lesbia and Her Sparrow (), by Sir Edward John PoynterLesbia was the literary pseudonym used by the Roman poet Gaius Valerius Catullus (c. 82–52 BC) to refer to his lover. . Lesbia is traditionally identified with Clodia, the wife of Quintus Caecilius Metellus Celer and sister of Publius Clodius Pulcher; her conduct and motives are maligned in Cicero's extant speech Pro Caelio, delivered in 56
Suzanne Somers' final gift from the love of her life, Alan Hamel, has been revealed. ET has learned that Hamel, who was married to the Three's Company star for 46 years before her death, gave her ...
The troubadour's model of the ideal lady was the wife of his employer or lord, a lady of higher status, usually the rich and powerful female head of the castle. When her husband was away on Crusade or elsewhere she dominated the household and cultural affairs; sometimes this was the case even when the husband was at home.
1.4 - He attends a dinner party; the poem is mostly a list of secret instructions to his lover, who is also attending the party along with her husband. 1.5 - He describes a visit Corinna, here named for the first time, makes to his rooms. 1.6 - He begs the doorkeeper to let him into the house to see his love. 1.7 - He hits his lover and is ...
This book lists the vocabulary, with definitions, needed to read Catullus' polymetric poems. After a general introduction to Catullus' vocabulary, a separate vocabulary list is given for subsets of 2–3 poems, e.g., poems 6–8 and 9–10. The words in each list is grouped by declension and gender for nouns and by conjugation for verbs ...
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