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This type of tile was named for the Qallalin district of Tunis, where they were most commonly produced. [1]: 223–224 [2]: 84 Although their production may have started as early as the 16th century, prior to the advent of Ottoman rule, the height of their production and artistic quality was in the 17th and 18th centuries.
Whereas Arabic epigraphy was usually carved in stucco or painted on larger square tiles, these two examples contain very fine Arabic inscriptions in Naskhi script that are made from the assembly of coloured tile pieces cut in the form of the letters themselves and set into a white background. [18] The tiles of the Torre de la Cautiva are ...
Glazed tile decoration in the cuerda seca technique was used in other early Ottoman monuments, particularly in the Green Mosque and the associated Green Tomb in Bursa (early 15th century). [2] [3] The tiles of the Green Mosque complex generally have a deep green ground mixed with combinations of blue, white, and yellow forming arabesque motifs.
These include kilim carpets, Persian girih and Moroccan zellij tilework, muqarnas decorative vaulting, jali pierced stone screens, ceramics, leather, stained glass, woodwork, and metalwork. Interest in Islamic geometric patterns is increasing in the West, both among craftsmen and artists like M. C. Escher in the twentieth century, and among ...
The glazed earthenware ranging from domestic vessels to tiles, architectural elements and decorative objects are displayed. The collection evidences that Indian craftsmanship illustrated artistic terracotta tiles from temples of Gaur, Pandua and Bengal to Islamic calligraphy and geometric patterns Multan, Peshawar, and Sindh.
These tiles, generally produced in the Qallalin district of Tunis, are painted with motifs of vases, plants, and arches and use predominant blue, green, and ochre-like yellow colours which distinguish them from contemporary Ottoman tiles. [2]: 223–224 The artistic height of these tiles was in the 17th and 18th centuries. [23]
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