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Blue is a primary color across all models of color space. It is the color of the ocean and the sky; it often symbolizes serenity, stability, inspiration, or wisdom. [10] It can be a calming color, and symbolize reliability. [11]
kāla 1 means "black, of a dark colour, dark-blue ..." and has a feminine form ending in ī – kālī – as mentioned in Pāṇini 4–1, 42. kālá 2 means "a fixed or right point of time, a space of time, time ... destiny, fate ... death" and has a feminine form (found at the end of compounds) ending in ā , as mentioned in the ṛgveda ...
Black is the foremost color associated with Tezcatlipoca, not only because of his role as a god of nighttime and darkness, but to differentiate him from the other three so-called Tezcatlipocas (Quetzalcoatl, Huitzilopoctli, and Xipe-Totec) and their respective colors (white, blue, and red). [6]
The ancient Greeks classified colors by whether they were light or dark, rather than by their hue. The Greek word for dark blue, kyaneos, could also mean dark green, violet, black or brown. The ancient Greek word for a light blue, glaukos, also could mean light green, grey, or yellow. [17]
A typical nazar is made of handmade glass featuring concentric circles or teardrop shapes in dark blue, white, light blue and black, occasionally with a yellow/gold edge. [9] "The bead is made of a mixture of molten glass, iron, copper, water, and salt, ingredients that are thought to shield people from evil." [2]
The name "Krishna" originates from the Sanskrit word kṛṣṇa, which means "black", "dark" or "dark blue". [34] The waning moon is called Krishna Paksha, relating to the adjective meaning "darkening". [34] Some Vaishnavas also translate the word as "All-Attractive", though it lacks that meaning in Sanskrit. [35]
Latifa Khafiya (color black) is the subtle organ that receives spiritual inspiration. It is understood symbolically as "the Jesus of one's being", since the prophet Jesus was characteristic of such inspiration. Latifa Haqqiya (color green) is the subtle organ that is the final achievement of spiritual development: the True Ego. It is understood ...
Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.