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Amati would also have been a logical choice for Antonio's parents, as he represented an old family of violin makers in Cremona, and was far superior to most other luthiers in Italy. [15] Some researchers [who?] believe there is a closer educational association between Antonio Stradivari and Francesco Rugeri than has previously been recognized ...
Giuseppe Fiorini in the 1920s. Giuseppe Fiorini (1861–1934) was an Italian luthier and is considered one of the most important Italian violin makers. He built his first instrument at the age of 16 while working in Bologna.
Raffaele Fiorini (15 July 1828 – 18 October 1898) was an influential Italian violin maker. Innovator, personality and pioneer of the rebirth of Bolognese violinmaking, Fiorini was born at Musiano di Pian di Macina di Pianoro near Bologna. He spent his early years in Bazzano, where he learned the first elements of the craft while working with ...
Amati (/ ə ˈ m ɑː t i /, Italian:) is the last name of a family of Italian violin makers who lived at Cremona from about 1538 to 1740. Their importance is considered equal to those of the Bergonzi, Guarneri, and Stradivari families. Today, violins created by Nicolò Amati are valued at around $600,000. [1]
Don Nicolò Amati [1] (born Nicolò Marchioni or Nicolò Melchioni; [2] 1662–1752) was an Italian violin maker based in Bologna. In 1687 he entered priesthood. In 1687 he entered priesthood. He pursued both careers, priesthood and violinmaking, throughout his lifetime.
Paolo De Barbieri (1889 in Genoa – 1964) was an Italian violin maker. Trained in Cesare Candi's workshop, Paolo DeBarbieri is now considered one of the best violin makers of the school of Genova. His style changes greatly during the years, but it is always easy recognisable for his unmistakable making technique, based on the 'continuous ...
Count Ignazio Alessandro Cozio di Salabue (1755–1840) was an Italian nobleman who was known as the first great connoisseur and collector of violins. [1] A trove of correspondence and memoirs on the history of violinmaking known as the Carteggio forms the basis of his biography. [2]
Giuseppe Rocca (27 April 1807 – 27 January 1865) was an Italian violin maker of the 19th century. [1] Rocca's preferred models were the 1742 Alard Guarneri and the 1716 Messiah Strad. His instruments are appreciated today and are considered better than those made by his son Enrico Rocca.