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The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [ 2 ] Their debut single was a doo-wop version of a Patti Page song " Cross Over the Bridge ", and the record label reluctantly allowed a number penned by the Chords on the B-side . [ 3 ]
"We Are Here" is a song by American recording artist Alicia Keys. It was written and produced by Keys, Swizz Beatz , Mark Batson , and Harold Lilly . The song debuted on Keys' Facebook page on September 8, 2014, accompanied by a text post explaining Keys' motivations and inspirations for the song.
The first single for the album, "Unpopular", was released with an accompanying music video on August 9, 2024. [3] Designed with "tongue-in-cheek" lyrics, [4] Cooper states that the song is "saying the world's gone so nuts that the things the world loves are so disgusting and so crazy—like, in a world gone mad, would you really want to be popular?
"Pop Life" is a song by Prince and the Revolution. It was the second US (and final UK ) single from their 1985 album, Around the World in a Day , reaching number 7 in the US charts, becoming Prince's eighth top-ten hit in a two-year span.
"Revolution" is a song by the English rock band the Beatles, written by John Lennon and credited to the Lennon–McCartney partnership. Three versions of the song were recorded and released in 1968, all during sessions for the Beatles' self-titled double album, also known as the "White Album": a slow, bluesy arrangement ("Revolution 1") included on the album; an abstract sound collage (titled ...
"Here Today" is a song by Paul McCartney from his 1982 album Tug of War. He wrote the song as a tribute to his relationship with John Lennon, who was murdered in 1980. [1] He stated the song was composed in the form of an imaginary conversation the pair might have had. The song was produced by the Beatles' producer George Martin.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Come, join hand in hand, brave Americans all, And rouse your bold hearts at fair Liberty's call; No tyrannous acts shall suppress your just claim, Or stain with dishonor America's name. Chorus: In Freedom we're born and in Freedom we'll live. Our purses are ready. Steady, friends, steady; Not as slaves, but as Freemen our money we'll give.