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The stele was found in three large fragments and reconstructed. [17] It is 225 cm (7 ft 4 + 1 ⁄ 2 in) high, with a circumference is 165 cm (5 ft 5 in) at the summit and 190 cm (6 ft 3 in) at the base. [17] Hammurabi's image is 65 cm (2 ft 1 + 1 ⁄ 2 in) high and 60 cm (1 ft 11 + 1 ⁄ 2 in) wide. [17]
A carving at the top of the stele portrays Hammurabi receiving the laws from Shamash, the Babylonian god of justice, [32] and the preface states that Hammurabi was chosen by Shamash to bring the laws to the people. [33] Because of Hammurabi's reputation as a lawgiver, his depiction can be found in law buildings throughout the world.
The best known example of the symbol is seen on the Code of Hammurabi stela. The symbol is also illustrated in the "Investiture Scene" painted at the palace of Mari. [4] The most elaborate depiction is found on the Ur-Nammu-stela, where the winding of the cords has been detailed by the sculptor.
A stele (/ ˈ s t iː l i / STEE-lee), from Greek στήλη, stēlē, plural στήλαι stēlai, [Note 1] is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted.
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One well known example of such an image is a stele of Hammurabi of Babylon, inscribed with his legal code. [50] Anna Kurmangaliev points out that only a single depiction of the sun god in anthropomorphic form has been identified among works of art from Babylonia from the first millennium BCE, the so-called Sun God Tablet. [50]
The Victory Stele of Naram-Sin is a stele that dates to approximately 2254–2218 BC, in the time of the Akkadian Empire, and is now at the Louvre in Paris. The relief measures 200 cm. in height (6' 7") [ 1 ] and was carved in pinkish sandstone, [ 2 ] with cuneiform writings in Akkadian and Elamite .
This was made by order of Hammurabi after the expulsion of the Elamites and the settlement of his kingdom. In 1901, a copy of the Code of Hammurabi was discovered on a stele by Jacques de Morgan and Jean-Vincent Scheil at Susa in Elam, where it had later been taken as plunder. [15] That copy is now in the Louvre. [16]