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Christ Triumphant over Sin and Death, also known as Christ Triumphant over Death and Sin, or sometimes as Salvator Mundi, is a circa 1618 oil painting by the Flemish Baroque artist Peter Paul Rubens. It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 235. [2]
Matthew 5:25 is the twenty-fifth verse of the fifth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount. In this first of the 6 Antitheses Jesus has been attacking anger and advocating reconciliation. In this verse he states that it is prudential to quickly reach agreement with one's adversary.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
8. "Now may the Lord of peace Himself give you peace at all times and in every way. The Lord be with all of you." - 2 Thessalonians 3:16. 9. "Therefore do not worry about tomorrow, for tomorrow ...
In the King James Version of the Bible the text reads: 23 Therefore if thou bring thy gift to the altar, and there rememberest that thy brother hath ought against thee; 24 Leave there thy gift before the altar, and go thy way; first be reconciled to thy brother, and then come and offer thy gift. The World English Bible translates the passage as:
The modern World English Bible translates the passage as: When therefore it was evening, on that day, the first day of the week, and when the doors were locked where the disciples were assembled, for fear of the Jews, Jesus came and stood in the midst, and said to them, "Peace be to you." For a collection of other versions see BibleHub John 20:19
In the Gospel of Mark, generally agreed to be the earliest Gospel, written around the year 70, [3] [4] Jesus predicts his death three times, recorded in Mark 8:31-33, 9:30-32 and 10:32-34. Scholars note that this Gospel also contains verses in which Jesus appears to predict his Passion and suggest that these represent the earlier traditions ...
He was solemnly entering as a humble King of peace. [46] Traditionally, entering the city on a donkey symbolizes arrival in peace, rather than as a war-waging king arriving on a horse. [47] [48] As 20th-century British scholar William Neil comments, "[O]ur Lord enacts his first messianic symbol by entering Jerusalem on the back of a donkey ...