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The French romantic composer Hector Berlioz produced significant musical and literary works. Berlioz composed mainly in the genres of opera , symphonies , choral pieces and songs. As well as these, Berlioz also produced several works that fit into hybrid genres, such as the "dramatic symphony" Roméo et Juliette and Harold in Italy , a symphony ...
Berlioz by August Prinzhofer, 1845. Louis-Hector Berlioz [n 1] (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid ...
Choral compositions by Hector Berlioz (2 C, 5 P) O. Operas by Hector Berlioz (6 P) S. Song cycles by Hector Berlioz (3 P) Symphonies by Hector Berlioz (4 P)
Symphonie fantastique: Épisode de la vie d'un artiste … en cinq parties (Fantastic Symphony: Episode in the Life of an Artist … in Five Sections) Op. 14, is a programmatic symphony written by Hector Berlioz in 1830.
Pages in category "Choral compositions by Hector Berlioz" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes .
The eventual composition of Roméo et Juliette as we know it now was made possible by the generous gift of 20,000 francs by Niccolò Paganini; after hearing a performance of Harold en Italie at the Paris Conservatoire on 16 December 1838, the great virtuoso had publicly knelt before Berlioz and hailed him as the heir of Beethoven.
Grande symphonie funèbre et triomphale (English: Grand Funeral and Triumphal Symphony), Op. 15, is the fourth and last symphony by the French composer Hector Berlioz, first performed on 28 July 1840 in Paris. It is one of the earliest examples of a symphony composed for military band.
Les francs-juges (translated as "The Free Judges" or "The Judges of the Secret Court") [1] is the title of an unfinished opera by the French composer Hector Berlioz written to a libretto by his friend Humbert Ferrand in 1826. Berlioz abandoned the incomplete composition and destroyed most of the music.
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