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The flagellation of Jesus ("Trial Before Pilate (Including the 39 Lashes)") is a climactic event in the rock musical Jesus Christ Superstar. [14] [circular reference] Modern filmmakers have also depicted Christ being flogged. It is a significant scene in Mel Gibson's 2004 The Passion of the Christ.
There are seven figures in the painting: from left to right they are John, Jesus, Judas, three soldiers (the one farthest to the right barely visible in the rear), and a man holding a lantern to the scene. They are standing, and only the upper three-quarters of their bodies are depicted. Judas has just kissed Jesus to identify him for the ...
The Flagellation of Christ is a painting by the Italian Baroque painter Caravaggio, now in the Museo Nazionale di Capodimonte, Naples. [1] It is dated to 1607, and may have been reworked by the artist in 1610.
The scene was traditionally depicted in front of a column, possibly alluding to the judgement hall of Pilate. The snub-nosed torturer on the far right is recognisably the same figure who modelled as one of the torturers in The Flagellation of Christ , and as the executioner in Salome with the Head of John the Baptist .
The scene is a common motif in Christian art. In this account, Jesus and his disciples travel to Jerusalem for Passover, where Jesus expels the merchants and consumers from the temple, accusing them of turning it into "a den of thieves" (in the Synoptic Gospels) and "a house of trade" (in the Gospel of John) through their commercial activities.
The scenes of the Passion start in the distance at the top left with Jesus's entry into Jerusalem on Palm Sunday, passes through the town and out again to the bottom left to the Garden of Gethsemane, through the Passion scenes in the centre of the city (judgment of Pilate, the Flagellation of Jesus, Crowning with Thorns, Ecce Homo), then follows the procession of the cross back out of the city ...
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[96] One such example is a scene in which Judas Iscariot is shown being tormented by demons in the form of children. Another scene shows Satan carrying a demonic baby during Christ's flogging, construed as a perversion of traditional depictions of the Madonna and Child, and also as a representation of Satan and the Antichrist. Gibson's description: