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Other all-island teams have adopted "Ireland's Call" for similar reasons to the IRFU's. The men's and women's hockey teams, having previously used the "Londonderry Air", adopted "Ireland's Call" in 2000, [5] including for Olympic qualification matches, [26] but the Olympic Council of Ireland standard "Amhrán na bhFiann" was used at Rio 2016, its first post-independence appearance at the ...
" Amhrán na bhFiann" (Irish pronunciation: [ˈəuɾˠaːn̪ˠ n̪ˠə ˈvʲiən̪ˠ]), or in English, "The Soldier's Song", is the national anthem of Ireland. The music was composed by Peadar Kearney and Patrick Heeney, the original English lyrics written by Kearney, and the Irish-language translation, now usually the version heard, by Liam Ó ...
Patrick Weston Joyce, in his Old Irish Folk Music and Songs (1909), gives the tune with a different text under the name "Sweet Cootehill Town," noting, "The air seems to have been used indeed as a general farewell tune, so that—from the words of another song of the same class—it is often called 'Good night and joy be with you all.'" [23 ...
"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
In Irish traditional music and Highland Scots music, it is called lilting, and in English traditional music it is called diddling. Vocables frequently act as formal markers, indicating the beginning and end of phrases, sections or songs themselves, [1] and also as onomatopoeic references, cueing devices, and other purposes. [2]
It was also sung as a fast march during the Irish War of Independence. [5] Since 1916, it has also been known under various other titles, notably Dord na bhFiann (Irish for 'Call of the Fighters') or An Dord Féinne. The latter title is associated with Pearse in particular as the Irish Volunteers chanted the song during the Easter Rising.
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Irish dance music is isometric and is built around patterns of bar-long melodic phrases akin to call and response.A common pattern is A Phrase, B Phrase, A Phrase, Partial Resolution, A Phrase, B Phrase, A Phrase, Final Resolution, though this is not universal; mazurkas, for example, tend to feature a C Phrase instead of a repeated A Phrase before the Partial and Final Resolutions, for example.