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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
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Lady Killer (French: Gueule d'amour) is a 1937 French drama film directed by Jean Grémillon and starring Jean Gabin, Mireille Balin and Marguerite Deval.It has been classified as both a film noir [1] [2] and an entry into the poetic realist group of films of the late 1930s.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
Gangster film [59] You Only Live Once: Fritz Lang: Sylvia Sidney, Henry Fonda, Barton MacLane: United States: Crime drama [60] 1938: Algiers: John Cromwell: Charles Boyer, Hedy Lamarr, Sigrid Gurie: United States: Gangster film [61] The Amazing Dr. Clitterhouse: Anatole Litvak: Edward G. Robinson, Claire Trevor, Humphrey Bogart: United States ...
Sound films ("talkies") were a global phenomenon by the early 1930s. Advances in color film included Technicolor and Kodachrome. The year 1930 is the start of "the golden age of Hollywood", which through at least the 1940s. The studio system was at its height in the 1930s, studios having great control over a film's creative decision. This ...
Midnight is a 1934 American pre-code drama film, the first directed by Chester Erskine, and starring Sidney Fox, O.P. Heggie, Henry Hull and Margaret Wycherly.It was based on a Theatre Guild play with the same name by Paul and Claire Sifton.
Two Seconds is a 1932 American pre-Code crime drama film directed by Mervyn LeRoy and starring Edward G. Robinson, Vivienne Osborne and Preston Foster.It was based on a successful Broadway play of the same name by Elliott Lester.
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