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Self-portrait by Mir Sayyid Ali, Los Angeles County Museum of Art, 1550 Mir Sayyid Ali (Persian: میرسید علی, Tabriz, 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of the artists responsible for developing the style of Mughal painting, under Emperor Akbar.
Barbad Plays for Khusraw, Khamsa of Nizami, British Library, Oriental 2265, 1539–43, inscribed Mirza Ali at bottom left. 'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles.
The Persian master artists Abd al-Samad and Mir Sayyid Ali, who had accompanied Humayun to India in the 16th century, were in charge of the imperial atelier during the formative stages of Mughal painting. Many artists worked on large commissions, the majority of them apparently Hindu, to judge by the names recorded.
Sultan Mohammed, Mir Sayyid Ali, and Aqa Mirak, were leading painters of the next generation, the Safavid culmination of the classic style, whose attributed works are found together in several manuscripts. [47] Abd al-Samad was one of the most successful Persian painters recruited by the Mughal Emperors to work in India.
This greatly disrupted the arts, with many painters such as Abd al-Samad and Mir Sayyid Ali moving to India to develop the Mughal miniature instead; these two were the trail-blazers, headhunted by the Mughal Emperor Humayun when he was in exile in 1546. Others found work at the provincial courts of Tahmasp's relations. [86]
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Only four artists have been commented on in the Ain-i-Akbari. It includes Sayyid Ali, Abd al-Samad, Daswanth and Basawan. Basawan's son Manohar Das succeeded him as a court painter. His family still lives in their heritage home in Kala Mahal, Agra. Currently, the family is holding a manufacturing and export business of handmade carpets (Diamond ...
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