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The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
The models contain 20, 40, 50, 60, and 100 watt amplifiers. All models except the 50W and 100W are available in combo form. The 50W and 100W is head only, and the 20W comes in either head or combo. The HT Venue series also contains three different cabinet sizes: 1×12, 2×12, and 4×12. All speakers in the HT Venue are Celestion.
The Memphis also marked the return of combo amplifiers to the Fryette line. The Class A, 2 channel Memphis Thirty 1x12 was the first amp in the new Memphis Series and features EL84 power tubes, 30 Watt & 18 Watt power modes & a unique removable hatch on the front panel allowing users to easily access and change pre-amp tubes.
The human ear perceives a 5-watt amplifier as half as loud as a 50-watt amplifier (a tenfold increase in power), and a half-watt amplifier is a quarter as loud as a 50-watt amp. Doubling the output power of an amplifier results in a just noticeable increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier.
Similarly, at its London launch, NAD successfully demonstrated it driving the Linn Isobarik, whose impedance characteristics are known to be very challenging for amplifiers. [9] It was the best-known and best-selling amplifier in the annals of hi-fi. [2] The NAD 3020 revolutionised the amplifier segment of the hi-fi industry. [3]
Kustom 200 B-4 amplifier in black Naugahyde, purchased new in 1972. Kustom 200 Bass Amplifier, 100 watts RMS, two 15" speakers, cascade sparkle, 1971. Kustom Amplification or Kustom Electronics is a manufacturer of guitar and bass amplifiers and PA equipment and accessories.
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