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Ephialtes (/ ˌ ɛ f i ˈ æ l t iː z /; Greek: Ἐφιάλτης Ephialtēs) [a] was a Greek renegade during the Greco-Persian Wars.Born to Eurydemus (Εὐρύδημος) of Malis, [1] he betrayed his homeland and people to the Achaemenid Empire by revealing the existence of a path around the Greek coalition's position at Thermopylae. [2]
The Kiss of Judas by Giotto di Bondone (between 1304 and 1306) depicts Judas's identifying kiss in the Garden of Gethsemane. Judas Iscariot (/ ˈ dʒ uː d ə s ɪ ˈ s k æ r i ə t /; Biblical Greek: Ἰούδας Ἰσκαριώτης, romanized: Ioúdas Iskariṓtēs; died c. 30 – c. 33 AD) was, according to Christianity's four canonical gospels, one of the original Twelve Apostles of ...
In Classical mythology, Dolus (Latin: Dolus, lit. 'Deception, Guile, Deceit') [1] is a figure who appears in an Aesopic fable by the Roman fabulist Gaius Julius Phaedrus, where he is an apprentice of the Titan Prometheus.
Still from Universal's film Damon and Pythias (1914). In 1564, the material was made into a tragicomic play by the English poet Richard Edwardes (Damon and Pythias).; The best-known modern treatment of the legend is the German ballad Die Bürgschaft, [2] written in 1799 by Friedrich Schiller, based on the Gesta Romanorum version.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
An example is John Milton's Paradise Lost, an "epic elaboration of the Judeo-Christian mythology" and also a "veritable encyclopedia of myths from the Greek and Roman tradition". [166] According to Cynthia Stewart, during the Reformation, the Protestant reformers used "the founding myths of Christianity" to critique the church of their time. [167]
In Ancient Greek mythology, Olethros / ˈ ɒ l ɪ ˌ θ r ɒ s / (Greek: ὄλεθρος) was the personification of havoc and probably one of the Makhai. [citation needed]Olethros translates roughly in ancient Greek to "destruction", but often with a positive connotation, as in the destruction required for and preceding renewal.
Prometheus Bound, perhaps the most famous treatment of the myth to be found among the Greek tragedies, is traditionally attributed to the 5th-century BC Greek tragedian Aeschylus. [30] At the centre of the drama are the results of Prometheus' theft of fire and his current punishment by Zeus .