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The painting is known as the Christ of Saint John of the Cross, because its design is based on a drawing by the 16th-century Spanish friar John of the Cross. [1] The composition of Christ is also based on a triangle and circle (the triangle is formed by Christ's arms; the circle is formed by Christ's head).
With Christ of Saint John of the Cross, Dalí did the same in order to leave only the "metaphysical beauty of Christ-God". Dalí sets the painting at the bay of his hometown Port Lligat in Catalonia , which is also the setting of other paintings of his including The Madonna of Port Lligat , The Sacrament of the Last Supper , and Christ of Saint ...
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol [b] [a] gcYC (11 May 1904 – 23 January 1989), known as Salvador Dalí (/ ˈ d ɑː l i, d ɑː ˈ l iː / DAH-lee, dah-LEE; [2] Catalan: [səlβəˈðo ðəˈli]; Spanish: [salβaˈðoɾ ðaˈli]), [c] was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and ...
On the bottom of the painting lies a calm sea with a boat, an ancient symbol of the passage from life to death, reinforcing the theme of Christ's sacrifice. Above the sea, a woman seen from the back watches these scenes, immobile, and recalling the helplessness of man facing death, symbolized not only by the bloody wounds of Christ, but also by ...
Christ of St. John of the Cross (also known as The Lost Wax) is a sculpture by Salvador Dalí created in 1979 as the model for a series of platinum, gold, silver, and bronze reliefs. The original wax sculpture and the reliefs created from it are three-dimensional iterations of Dalí's 1951 painting, Christ of Saint John of the Cross . [ 1 ]
Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening is a surrealist painting by Salvador Dalí, from 1944. A shorter alternate title for the painting is Dream Caused by the Flight of a Bee. The woman in the painting, dreaming, is believed to represent his wife, Gala, a regular presence in his work.
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Salvador Dalí himself wrote: "I started to paint Leda Atómica which exalts Gala, the metaphysical goddess and succeeded to create the ‘suspended space’". Dalí's Catholicism enables also other interpretations of the painting. The painting can be conceived as Dalí's way of interpreting the Annunciation.
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