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Spanish Baroque painting refers to the style of painting which developed in Spain throughout the 17th century and the first half of the 18th century. [1] The style appeared in early 17th century paintings, and arose in response to Mannerist distortions and idealisation of beauty in excess, appearing in early 17th century paintings.
Another period of Spanish Renaissance sculpture, the Baroque, encompassed the last years of the 16th century and extended into the 17th century until reaching its final flowering the 18th, developing a truly Spanish school and style, of sculpture, more realistic, intimate and independently creative than that of the previous one which was tied ...
Pages in category "17th-century Spanish painters" The following 191 pages are in this category, out of 191 total. This list may not reflect recent changes. A.
This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez is estimated to have produced between only 110 and 120 known canvases. [1] Among these paintings, however, are many widely known and influential works. All paintings are in oil on canvas unless noted.
The relationship between illusion and reality were central concerns in Spanish culture during the 17th century, figuring largely in Don Quixote, the best-known work of Spanish Baroque literature. In this respect, Calderón de la Barca's play Life is a Dream is commonly seen as the literary equivalent of Velázquez's painting:
Juan Sánchez Cotán was a wealthy Spanish still life painter, active in Toledo in the early 17th century. His best paintings are considered to be of fruits and vegetables. [1] [2] [3] He later abandoned still lifes for religious figures after joining a Carthusian monastery. [2]
This orchestration of still life in direct sunlight against impenetrable darkness is the hallmark of early Spanish still life painting. Each form is scrutinized with such intensity that the pictures take on a mystical quality, and the reality of things is intensified to a degree that no other seventeenth-century painter would surpass.
In Spanish Still Life from Velázquez to Goya (1995), Jordan and art historian Peter Cherry published the term "Pseudo-Hiepes" to describe an artist whose identity was then unknown, but had around 40 still life paintings from the second half of the 17th-century attributed to them. [47]
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